Dead As Hunter S Thompson

Hunter S Thompson.

Forever a man lived life to the fullest, because oblivion is easier to achieve than enlightenment.

No Se Olvide L’Alamo

On March 6, 1836 thousands of Mexican troops under General Santa Ana stormed the Texas stronghold of the Alamo. None of the defenders were shown mercy and to this day Texans rally to the cry ‘Remember the Alamo’.

On Monday Governor Rick Perry announced the mobilization of the National Guard to conduct air and ground operations to help the police and border guards stem the tens of thousands of illegal aliens swarming over the border.

“Drug cartels, human traffickers and individual criminals are exploiting this tragedy for their own criminal opportunities,” Mr. Perry said, adding, “I will not stand idly by while our citizens are under assault, and little children from Central America are detained in squalor.”

I work construction in New York. The large percentage of workers are Mexican or Irish or European. There are few Americans, because once the labor unions were smashed by the GOP, jobs were given to anyone other than Americans to prevent the re-establishment of organized labor.

My friend Oscar crossed the Mojave Desert for three days.

He had two bottles of water.

They were gone the first day.

“I thought I was going to die.”

Oscar is not a criminal, simply a man looking for work, but I’m not living on the Rio Grande, so I understand the Texas governor’s need to control the border, however the Texas border is 1200 miles long. He is deploying 1000 National Guardsmen. If they work 8 hour shifts, that means 1 National Guardsman for three miles of border, where the temperature runs in the high 90s, but the Guard is used to deserts, having spent almost ten years in Iraq. At least there won’t be any IEDs.

But wait a second.

100,000 US troops tried to stem the insurgents from crossing the Iraqi border, which has a length of 1500 miles. Result = failure, because idiots like Rick Perry and George W Bush don’t understand math.

My friend Al Harlow took acceptance to my comment, “Perry is an idiot…because he wants to defend our border?? At least he’s attempting to do something..

No, he’s an idiot to pretend that 1000 national guard troops who spent 10 years going back and forth to Iraq will fix this situation. The numbers do not add up to anything other than a window dressing. Most effective would be changing the name of Dallas to Tijuana and Houston to Guatemala City.

Plus the ratio of frontline troops to support i.e. tooth to tail is 1 to 3 or 1 soldier for every ten miles of border.

So Rick Rerry is still dumber than a stump in those glasses.

Al Harlow argued, “I’m sure he doesn’t mean the guardsmen will be holding hands to span the border….they will use more troops to beef up patrols in between outposts…Mr. Obummer needs to send a Division of troops, (10 to 30,000) and take the border security seriously.”

The Mexicans take the border seriously.

I know, because Oscar almost died there.

Y Oscar es me amigo.

THE ONLY YEH YEH GIRL By Peter Nolan Smith

The stars of the 1960s were transported by TV and radio to my three red-light suburb south of Boston. The teenagers of the 50s worshipped Marilyn Monroe, James Dean, and Buddy Holly as dead gods, but my generation’s focus was dedicated to the living.

Bob Dylan’s BLOWING IN THE WIND knocked Elvis off his throne and the Beatles enthralled girls with I WANNA HOLD YOUR HAND. The Ronettes defined hot with BE MY BABY, but young boys worshipped movie actresses as wingless angels fallen to Earth, even though their visits to Boston were plastered on the silver screen.

Julie Christie won our hearts in DARLING in 1965 and a year later my older brother chose fur-bikinied Raquel Welch as his muse after her debut in 1,000,000 BC. The seductive virtues of various starlets were debated by the boys in my high school. I held my sand, because I was searching for a goddess to call my own.

One cold January night my hand slipped on the radio dial and the antenna caught a signal from Quebec transmitting a wavering female singing ‘La maison où j’ai grandi”.

This song had nothing to do with DOMINIQUE by the Singing Nun.

This singer was telling a story of love.

I cursed myself for not paying attention in French classes and looked over to my brother’s bed. He was asleep on his side. I turned up the volume and rode the magic radio waves to the last fading notes of the guitar. The Montreal DJ announced with breathless admiration, “C’etait une autre tube par Francoise Hardy.”

I didn’t understand a word, but understood that Francoise Hardy couldn’t be anything other than beautiful.

For the next two hours I remained glued to the distant station and the DJ rewarded my patience with LE PREMIER BONHEUR DU JOUR, QUI PEUT DIRE, and L’AMITIE.

“Bonne anniversaire, Francoise.”

Somehow my brain translated those words into ‘happy birthday, Francoise’.

The DJ said Francoise was twenty-three. I was fifteen. She lived somewhere French. Paris was three thousand miles away.

“Turn off that Frog crap.” My older brother mumbled from his pillows.

“Okay.” I shut the radio and went to sleep confused by conflicting images of Francoise Hardy.

I saw her as a blonde. I fantasized about her as a redhead. I woke early to a dream of her as a brunette.

I dressed and wandered down to the kitchen.

“You’re awfully quiet,” my father said at the breakfast table.

“Thinking about changing my language from German to French.”

“I thought you liked German.” My father had studied French at college.

“I did.” I spoke it with a Boston accent much to the chagrin of Bruder Karl. My best grade had been a D+. I had no feeling for Marlene Dietrich.

“Any reason for the change?”

“Maybe I’ll have more use for French.”

“Like for when you’re ordering French Fries.” My older brother joked and my younger brothers and sisters laughed along with my father.

I didn’t mention my restless night to my car pool friends, as we drove on 128. My daydreams of Francoise Hardy consumed the morning math and biology classes. I had a study hall for the third period and went the library to search through the record collection.

Brother Jerome, the librarian, was in his office. A freshman was sitting on his lap.

I wandered over to the record trays and flipped through the LPs without finding a single French record. A few music stores in downtown Boston sold foreign records and I planned on heading to Washington Street after school.

“I’m not going home today?” I told my car pool.

“Where you going?” My best friend, Chuckie Manzi, wanted to join me.

“To see the dentist.” No one liked the sound of the drill.

“You’re on your own.”

My friends dropped me at the Forest Hills T station and got off at Washington Street. None of the big department stores had any French 45s or LPs. On the way to the Park Street Station I chanced upon the Commons. The owner was an old man with a beard. The forty year-old looked like a beatnik. I was dressed as a mod.

“Can I help you?” The walls were stacked with records according to genres.

“Do you have any Francoise Hardy?”

“How do you know about Francoise Hardy?” The old man was mystified by my request.

“I heard her on a Canadian station.”

“Must have been a strong signal.” He went to the French section and pulled out a plastic sealed LP.

“Francoise Hardy dropped out of the Sorbonne to record OH OH CHERI with Johnny Halliday. He’s the French Elvis. She became one of the biggest stars of Ye-Ye music and her hit TOUS LES GARCONS ET LES FILLES made the charts in the UK. I think it was 1964. Here’s that LP. It came out in 1962.”

He handed me the album.

I held the cover in both hands.

The name had a face and that face belonged to an angel. A cinnamon strands of hair streamed across feline eyes. An ivory hand held an umbrella with a detached interest. Francoise was a woman made for a rainy afternoon.

“Can I hear a little?”

“Sure.” The old man r slipped the LP onto a Garrard 401 turntable. “This is LE TEMPS D’AMOUR.”

A patter of drums opened the song. A twangy guitar and solid bass joined on the next bar. The singer wasted no time getting to the lyrics. They must have been about love. 2:27 passed in a second.

“What you think?”

“I’ll take it.” Her pose sold youthful innocence. I gave him $5. “Is that the only one you have?”

“Of that LP, yes, but I can get some of her other records, if you’d like.”

I nodded my answer and promised to return on the weekend.

“My name’s Osberg.” He handed me a business card. “Call to find out when to come in.”

“Thanks.” I left his shop and caught the T to Ashmont.

That evening after finishing dinner and my homework, I went down to the basement and put the LP on my father’s record player. My brother had a better one in our bedroom, but I wasn’t sharing Francoise Hardy with someone in love with a woman in a fake fur bikini, even if Frunk was my older brother.

One play of her record and I became her biggest fan south of the USA-Canada border.

I listened to the Quebec stations in secrecy.

At school I hid my secret. My friends regarded our northern neighbors as Canucks and I didn’t want to risk their attacking Francoise. I bought several LPs from Mr. Osberg and he introduced me to the other Ye-Ye girls; Frances Gall, Sylvie Vartan, and Jacqueline Taïeb as well as the Sultans from Quebec and Serge Gainsbourg.

None of them were Francoise Hardy.

I dreamed about flying to Paris.

An airline ticket cost hundreds of dollars.

I settled for listening to her music with my eyers closed.

In 1968 Francoise Hardy released COMMENT TE DIRE ADIEU written by Serge Gainsbourg. Mr. Osburg said that he was the wicked man in France and played his hit with Jane Birkin JE T’AIME…MOI NON PLUS.

Sex dripped off the record. Mr. Osburg was right about this Gainsbourg man. He was as ugly as sin. I had to save Francoise and as soon as I arrived home, I asked my father, if we could vacation in France.

“They’re having troubles there.” My father was very conservative. He tolerated the length of my hair, but thought I looked like a girl. “Students in the streets. Worse than the hippies. We’re going to the Cape.”

Our family rented three motel rooms in Harwichport. The pool overlooked the small harbor. The beach boasted the warmest water on Cape Cod. The sea was 65 Fahrenheit by the 4th of July.

Every morning I read the Boston Globe. The newspaper covered the War in Vietnam with little mention of the student riots, but I was certain that Francoise Hardy wasn’t the type of girl to get mixed up in trouble on the Left Bank. Not unless she fell into the hands of the evil Serge Gainsbourg and I plotted a trip to France. A rumor was whispered across Boston about a jet plane leaving Boston every morning for Paris.

Its cargo of Maine lobsters was traded for eclairs, creme brûlées, and pomme tartes.

Two weeks before the start of school I emptied my bank account and took the T to Logan Airport. None of the terminals listed the ‘lobster’ flight and I spent the greater part of Saturday hunting for the mythic plane to Paris.

“Ha.” A Boston cop laughed upon hearing my query. “Once a week some kid comes up looking for the ‘lobster’ plane. There ain’t none. Some bullshit story someone invented for who knows why, but the weird thing is that all these kids want to meet the same girl. Francoise Hardy. You ever heard of her?”

“No.” These ‘others’ feelings for Francoise Hardy could never rival my love.

“Me too. Must be some kind of film star. Like Brigitte Bardot.”

I fought back an explanation, not needing any more converts to the faith, and returned home in defeat.

That summer America was deep mourning after the murder of RFK in LA.

MRS. ROBINSON replaced Archie Bell and the Drells’ TIGHTEN UP as # 1, while Simon and Garfinkel sang about an older woman from the movie THE GRADUATE. Francoise Hardy was eight years older than me. I changed the words from Mrs. Robinson to Francoise Hardy. I never sang it in front of my girlfriend. Kyla was the same age as me.

COMMENT TE DIRE ADIEU was not a hit and the radio station in Quebec played less and less of her songs.

Kyla and I went steady. I liked to think that Francoise would have approved of my selection, but I was stupid and left Kyla for no good reason in 1969.

That year Francoise released Françoise Hardy en Anglais. Like the Catholic Mass in English her songs lost their magic in my language.

My travels in the late-60s and 70s were confined to hitchhiking across America. None of the drivers played TOUS LES GARCONS ET LES FILLES, but I defended French music to hundreds of hippies, rednecks, and disco fanatics by saying, “You’ve never heard Francoise Hardy.”

In 1973 she appeared in the film SAVE THE TIGER. The director failed to break the 29 year-old singer to America. She remained a creature of France.

The Atlantic Ocean separated America from the Old World. My opportunity to cross the waters came in 1982, when I was hired to work as a doorman at the Bains-Douches, a popular Paris nightclub. At first I was unfamiliar with the French pop stars, but over the course of the next year I met Johnny Halliday, Yves Montand, Catherine Denevue, Yves St. Laurent, Coluche, countless Vogue models, arms dealers, and other lightbulbs of the night, but never Francoise Hardy and I asked the owner about her absence.

“She doesn’t go out at night. Her husband, Jacques Dutronc, is very jealous.”

“Of what?” Dutronc was a rock star for the French. Nobody in the USA knew his name, but ET MOI ET MOI ET MOI was a great song. I had it on tape.

“Of other men.

“A boyfriend is a man’s best enemy.”

“Not Jacques Dutronc.” My boss warned that her husband was capable of almost anything against any man seeking intimacy with his wife. “He is very much in love with her.”

“Who wouldn’t be?”

My boss shrugged with mutual understanding, He was a Francoise Hardy fan too.

The nightlife was a small world in Paris and I didn’t mention Francoise’s name again. People had big mouths.

Jacques Dutronc visited the club on several occasions. A thick cigar hung out of his mouth. I hated the smell. He never came with Francoise. The rumor was that she was terribly shy after having been the Ye-Ye Girl for so many years. I made her husband wait to get in more than once.

Jacques complained to my boss, who laughed behind the singer’s back.

My job was to make French stars feel like getting into the Bains-Douches was a privilege, however my friends were granted an easy entry, especially Suzi Wyss, the mistress of a Getty Oil heir. On my days off I smoked opium at her oriental pad in the 13th arrondisement. The Swiss courtesan was superb cook and traveled through many cliques. One night she invited me to a dinner.

“Don’t tell anyone, but Francoise Hardy will be coming.”

“I thought she didn’t go out.” This was a miracle.

“She doesn’t, but she loves my cooking and I am always discreet. So not a word.”

“Silence will be my vow” I wanted her to myself. “Will her husband be there?”

“Not for dinner, but he might come for dessert. He has a thing for my Swiss chocolate torte.”

Suzi’s piece de resistance was a culinary delight and I prepared like a nameless suitor for this rendezvous with Francoise Hardy.

I bought a white shirt from Agnes B and a gray suit from Cerruti. No tie was better than pretending to be a business man and I purchased Cuban heels from the flea market. They dated back to the time of her greatest success. I cut my hair short and didn’t bathe for two days to emulate French men, who avoided bathing in fear of losing their masculinity.

That evening I showed up on time with a bouquet of roses. Suzi loved flowers. We smoked hash. Opium was for after the dinner. The door bell rang at 9.

Francoise arrived at the apartment with a young gay man. We opened a bottle of wine. She wasn’t a drinker, but was amused by my stories of New York nightclubs awash with beautiful women and crooked cops.

“It would make a good movie.”

“Only if you played the lead.” I envisioned us on the podium of the Academy Awards receiving Oscars.

“I’m too old to play that role.”

“You’re never too old to be a star.”

Suzi lit another joint. We smoked it before dinner.

I was falling in love again.

In fact I had never stopped loving Francoise.

She spoke about her music and picked up a guitar from the corner. The Ye-Ye girl sang two new tunes. I was in paradise and was about to tell her about hearing her music on a little radio twenty years ago.

A knock on the door trashed my moment.

The guest was Jacques Dutronc.

Francoise’s face said that she loved him and no one else.

Any man would have been a fool to not love her the same.

“I know you.” He pointed his cigar. “Bains-Douches. Doorman.”

“Yes, that’s me.”

“A writer too.” Suzi was on my side.

“Pouoff.” Dutronc had witnessed thousands of writers attempt to seduce his wife. “Women only love directors and producers. They prefer chauffeurs before a writer.”

Francoise laughed at her husband’s joke. Suzi thought it funny too. I might have joined them, if the riposte hadn’t struck deep. We rejoined to the living room, where Jacques Dutronc picked up the guitar.

“Francoise and I did a song in 1978. BROULLIARD DANS LA RUE CORVISART.”

He put down his cigar and sang the song’s opening lines. Francoise accompanied him on the song. I applauded their duet as well as their shared love. I didn’t stand a chance. The odds were stacked higher against me than the records in Mr. Osburg’s music store.

An hour later the famed couple left with the gay friend.

Francoise didn’t even said good-bye.

Jacques winked to me. I wouldn’t make him wait at the door any more.

“Poor Boy.” Suzi patted my cheek. “Everyone loves her.”

“Yes, I suppose we do.”

“And I know how to make you forget, if only for a few minutes.” Suzi handed me a pipe. Opium was a good doctor for a broken heart.

The three of us met several more times at Suzi’s apartment.

The same routine as always, dinner, wine, and a joint or two.

Jacques came late and they departed ensemble.

I imagined myself being him, but I didn’t like cigars and my French was even worse than my German. Francoise loved Jacques and that was good enough for me, because all men at one time in their lives need a goddess to teach them about love.

Even if they were another man’s woman

To Hear Francoise Hardy’s LE PREMIERE BONHEUR DU JOUR please go to the following URL

http://www.youtube.com/watch?v=Snys9LGMAmo

THE MAKING OF AJA by Steely Dan

Steely Dan recorded AJA from January to July in 1976.

THE MAKING OF AJA is a 1999 film of the studio sessions in LA and New York.

The interviews with Walter Becker, Donald Fagen, and the score of studio musicians are priceless insights into one of the best produced LPs of all time.

This evening I passed my landlord AP’s office and my good friend was watching THE MAKING OF AJA. I was hooked within a few minutes and sat through the entire film, enthralled by the magic of creation as well as the multi-tracked texture of music.

To see THE MAKING OF AJA, please go to the following URL

TOMMY RAMONE RIP

There are no more Ramones on Earth.

Tommy Ramones joined his three brothers.

I was lucky enough to catch them in 1976.

On a winter night I was walking up the Bowery. I heard CALIFORNIA SUN from a bar. I walked inside. My life was changed forever.

They were our band.

Here is an excerpt from my punk novel THE END OF MAYBE about that evening.

Gabba Gabba Hey.

Johnny nodded across the avenue to the leather-jacketed crowd underneath a white awning emblazoned with the letters CBGBs. The Palace Hotel next door was a close relative to the Terminal Hotel and Sean glared at his new acquaintance with a twinge of disappointment.

“This is it?”

“What’s outside had nothing to do with what’s inside. This is punk’s opera house.”

The hippie’s disapproval intensified Johnny’s impatience to rip him off and he leapt off the curb to dart through a surge of speeding cars and taxis.

“Last one across the street buys the first round.”

A rattling Checker bore down on Johnny and Sean braced for the soft crunch of steel into a body, except the thin blonde gracefully vaulted across the hood onto the traffic island and dodged two newspaper trucks to safely reach the opposite sidewalk, where he shouted, “I’ll take a Wild Turkey.”

Johnny had challenged death twice in two seconds, but Sean’s mother had cautioned him to walk the other way from any menace to life and limb. He would still be living in the suburbs, if he had followed her instructions, so crossed the Bowery to find Johnny arguing with two men carrying guitars.

“You use the drugs, you have to pay.”

“I owe you nuttin’,” sniveled a crow-haired guitarist, resembling Keith Richard, if the lead guitarist had died instead of Brian Jones.

His pointy rat boots, straight-legged black Levi’s, a stained tuxedo jacket, and a skinny tie knotted loosely on the collar of a rumpled shirt were the fashionable antithesis to Sean’s Frye boots and plaid shirt. The loiterers on the sidewalk were similarly attired in leather jackets or narrow lapel jackets. Sean felt out of place and even more so after Johnny seized the zombie’s guitar.

“Where’s my $50.”

“Hey, I gotta be at Max’s in thirty minutes.” The rocker feebly wrestled for the guitar and Johnny shoved him into a pile of garbage.

“Give me the money and I’ll give you the guitar.”

The onlookers hooted, as if this was a long-running sit-com, and the rocker offered shrilly, “I’ll give you the fifty at Max’s.”

“Wait in line with the other twenty junkies you stiffed today? Fifty or no guitar.”

“Okay, okay.” The skeletal musician forfeited a crumble of bills. “Now gimme my guitar.”

“Been a pleasure doing business.” Johnny released the guitar and the junkie rocker rambled up the Bowery. The thin blonde pocketed the cash and turned to Sean. “This ain’t Kansas or the Emerald City. Trusting no one’s the first rule of this city and the second is always obey the first.”

A taxi halted at the curb and the back door opened for a bleached blonde in a miniskirt, ripped fishnet stockings, and gleaming black high heels straight out of fetish stroke book.

Glowering on the sidewalk the milk-white dominatrix sneered with crooked teeth, “You have a problem with your eyes, caveman?”

Sean stammered, “I haven’t seen anyone dress like you before.”
”You sayin’ I’m a whore?” She flashed sharp fingernails at Sean’s face.

“Sheila, this is my country bumpkin cousin, so cut him some slack.” Johnny stepped between them.

“This is related to you?” The blonde’s laugh sounded like her first of the night.

“Can’t you see the resemblance, Sheila?” Johnny leaned over to Sean’s face.

“I get it. You’re country cousins.” The blonde dominatrix blew the bewildered hippie a kiss and entered the club with a sadistic swagger. When the door shut, Sean asked, “Why she dress so slutty, if she isn’t asking me to look?”

“The girls at CBGBs wear trampy clothing, because they are whores or strippers, who might break your teeth or ask you home for a fuck. I’ll let find out for yourself which is worse.” Johnny opened the thick door and Sean’s eardrums buckled under a subsonic boom. The last band he had heard this loud was Blue Cheer and his guide shouted, “Now hold onto your wig. No more Abba. No more Bread. No more Boz Scaggs. This is the world of tomorrow today.”

The pure power on the stage drew Sean forward and a stringy-haired giant in a yellow construction helmet halted his progress with a meaty hand. “Five dollars.”

Sean dropped $5 before the bearded man at a desk and beelined for the front of the club, where four men in black leather jackets, torn blue jeans, sneakers, and scraggly hair performed a blindingly fast version of CALIFORNIA SUN.

The singer resembling a wigged mantis yelled indecipherable lyrics to the frenzied audience. Each song raced to its end in less than two minutes and Sean unconditionally joined the crowd’s bopping worship of the hard-driving quartet. When the band had exhausted the audience’s energy, the longhaired gnome announced their encore, “PT boat on the way to Havana.”

The heaving mob surged forward and he asked a mulatto teenager with a safety pin stuck in his cheek,

“What’s the name of this band?”

“The Ramones.” The pimply kid rolled his eyes at Sean’s ignorance.

He had never heard of them, but judging from the number of people emulating the band’s get-up, this band had existed for several years.

A minute later the Ramones finished their encore and the jukebox blared a song about Chinese Rocks. Most of the audience surged to a narrow hallway behind the stage and Sean fought his way to the bar, where Johnny handed him a long-necked Bud. He drained the bottle in three gulps and ordered a Wild Turkey from a redheaded bartender wearing a skimpy tube top. After downing the shot he called for another round.

“So how great is this place?” Johnny was pleased by the wad of bills in the hippie’s hand.

Once more GABBA GABBA HEY